Modi normali di una canna cilindrica en

From "Physics, Waves, Music": a website about the physics of waves and sound, acoustics of musical instruments, musical scales, harmony and music.

AI-translated from Italian. Original page: Modi_normali_di_una_canna_cilindrica

Normal modes of a cylindrical pipe

  • Consider a cylindrical pipe. Many wind instruments, such as the flute, the clarinet or the trumpet, are built from a cylindrical pipe, even though they often have end bells of various shapes.
  • Its normal modes are characterised by a single integer. It gives directly the number of (pressure) antinodes that the air in the pipe forms as it oscillates. For example, mode {2} means there are 2 antinodes.
  • For a given length of the pipe, the natural frequency of each mode is determined only by this number and by the speed of sound in the gas filling the pipe.
  • The particular shape of the modes depends on the so-called boundary conditions, that is, on the shape of the ends of the pipe. Let us examine two important cases: a pipe open at both ends, and a pipe closed at one end and open at the other
  • The animations show how the sound pressure varies inside the pipe.

Open-open pipe

  • In the most ideal case there are no energy losses either at the ends or inside the pipe, so the pressure at the ends equals atmospheric pressure (that is, the sound pressure is zero). This means there is always a node at the ends.
  • The pipe can always contain only an even number of quarter wavelengths (or, equivalently, a whole number of half wavelengths)
  • The natural frequencies of the pipe are integer multiples of the fundamental frequency.

corda_freq_1.mp3

mode {1}, f=f0

corda_freq_2.mp3

mode {2}, f=2f0

corda_freq_3.mp3

mode {3}, f=3f0

corda_freq_4.mp3

mode {4}, f=4f0

Closed-open pipe

  • In this case, still referring to ideal conditions, the sound pressure has a node at the open end and an antinode at the closed end.
  • The pipe can always contain only an odd number of quarter wavelengths
  • The natural frequencies are odd multiples of the fundamental frequency.
  • Consequently a closed-open pipe cannot emit even multiples of the fundamental frequency. This has important consequences for the timbre of instruments based on half-open pipes, such as the clarinet.

corda_freq_1.mp3

mode {1}, f=f0

corda_freq_3.mp3

mode {2}, f=3f0

corda_freq_5.mp3

mode {3}, f=5f0

corda_freq_7.mp3

mode {4}, f=7f0

Links and further reading



"Physics, Waves, Music": a website about the physics of waves, acoustics of musical instruments, musical scales, harmony and music.