Equazione delle onde nelle membrane en

From "Physics, Waves, Music": a website about the physics of waves and sound, acoustics of musical instruments, musical scales, harmony and music.

AI-translated from Italian. Original page: Equazione_delle_onde_nelle_membrane

What is an ideal membrane

An ideal membrane is the exact two-dimensional counterpart of an ideal string.

Like the ideal string, it is characterised by only two parameters: the density (in this case the mass per unit area ρ), and the surface tension T (which has the dimensions of a force per unit length, that is, it is measured in Nm-1 in the SI system)

The membrane is ideal if

  1. T is constant during the motion of the membrane (that is, whatever its deformation)
  2. T has the same magnitude over the whole membrane, and, at every point, acts only in the direction tangent to the membrane (that is, without components perpendicular to the surface).
  3. all other external forces (such as gravity) are negligible compared with T

How the equation is derived

The balance of forces on an infinitesimal piece of the membrane with sides dx and dy is carried out in exactly the same way as for the vibrating string, because the contributions of the forces along the x and y axes can be separated. In particular

  • The resultant of the forces that causes the motion is perpendicular to the membrane, and is the sum of two contributions (see figure):

the one obtained from the balance along the x axis

dFzx(x,y)=[T(x,y)+T(x+dx,y)]dy≈Tdy∂2z∂x2dx,

and the one obtained from the balance along the y axis

dFzy(x,y)=[T(x,y)+T(x,y+dy)]dx≈Tdx∂2z∂y2dy.

  • The sum of the two gives

dFz=dFzx+dFzy=Tdxdy(∂2z∂x2+∂2z∂y2)

This force must be equated to the mass times acceleration term, which is

dm⋅a=ρdxdy∂2z∂t2
  • This gives the two-dimensional version of the classical wave equation
∂2z∂x2+∂2z∂y2=1c2∂2z∂t2,

with

c=Tρ,

in complete analogy with the case of the string.


Circular membrane

The equation we have written in Cartesian coordinates describes all waves in a membrane, whatever its shape, but it is particularly suited to square or rectangular membranes, because that is the shape of the grid formed by x and y.

In this case the normal modes can be deduced from the normal modes of a string separately in the x and y directions, and therefore the solution of the motion will in general be a superposition of sines and cosines. The details of which combination obviously depend on the boundary conditions and on the initial conditions of the problem.

However, the case in which the membrane is circular is particularly important, because this is the shape in which it appears in many musical instruments (typically some percussion instruments such as drums and timpani).

Although the equation derived above can be used, it is particularly awkward to express the circle in Cartesian coordinates, and it is more direct to switch to polar coordinates through the transformation

x=rcos⁡(ϕ),
y=rsin⁡(ϕ).

Leaving out the details, we arrive directly at the form taken by the wave equation after this change of coordinates:

∂2z∂r2+1r∂z∂r+1r2∂2z∂ϕ2=1c2∂2z∂t2. (1)

We can now separate the variables by looking for a solution of the form

z(r,ϕ,t)=R(r)Φ(ϕ)cos⁡(ωt),

which, substituted into equation (1), splits it into two separate equations, one for Φ, and one for R.

The equation for Φ is simply that of harmonic motion

∂2Φ∂ϕ2+m2Φ=0.

This means that along every concentric circle the profile of the membrane will always be that of a sine (or cosine), Φ=cos⁡(mϕ). Since after a full turn (ϕ→ϕ+2π) we are back at the same point of the membrane, the profile must repeat: m must therefore be an integer (0, 1, 2, …). The number m counts the nodal diameters of the mode, that is the straight lines through the centre along which the membrane stays still.

The equation for R is a new, more complicated type of equation, whose solutions are special functions (called cylindrical Bessel functions), which determine the radial profile of the drum membrane.

∂2R∂r2+1r∂R∂r+(ω2c2−m2r2)R=0.

Of the two solutions of this equation, only the Bessel function of the first kind Jm(ωr/c) stays finite at the centre of the membrane: it is therefore the only acceptable one.

The natural frequencies are obtained by requiring the membrane, of radius a, to be fixed at the edge: R(a)=0, that is Jm(ωa/c)=0. If jmn is the n-th zero of the function Jm, the natural frequencies are

ωmn=jmnca.

The zeros of the Bessel functions are not integer multiples of one another (j01 ≈ 2.405, j11 ≈ 3.832, j21 ≈ 5.136, j02 ≈ 5.520, …): the natural frequencies are therefore in the ratios 1 : 1.59 : 2.14 : 2.30 : … and do not form a harmonic series. This is why the sound of a drum does not usually have a well-defined pitch (see the page natural frequencies of the circular membrane).

A visualisation of some of these functions is shown on the page Normal modes of a circular membrane.

Check your understanding

Problem. A drum membrane has tension T = 3000 N/m and surface density ρ = 0.26 kg/m². Calculate the speed of transverse waves. Solution. c=T/ρ = √(3000/0.26) m/s ≈ 107 m/s.

Problem. The membrane of the previous problem is circular, with radius a = 15 cm. Calculate the frequency of the fundamental mode (0,1) and that of the mode (1,1). Solution. fmn=jmnc/(2πa). For the fundamental: 2.405 · 107/(2π · 0.15) Hz ≈ 274 Hz. For the mode (1,1): 3.832 · 107/(2π · 0.15) Hz ≈ 437 Hz, that is 1.59 times the fundamental: it is not a harmonic.

Problem. The tension of the membrane is doubled. By how much do the natural frequencies change? By how many semitones does the sound rise? Solution. The frequencies are proportional to c=T/ρ: they all grow by the factor √2 ≈ 1.41. Since an equal-tempered semitone corresponds to the factor 21/12, the factor 2=26/12 corresponds to 6 semitones (a tritone). The ratios between the natural frequencies do not change.


"Physics, Waves, Music": a website about the physics of waves, acoustics of musical instruments, musical scales, harmony and music.